Chameleon Page (no it won't change colour!)

Cult Middleton band.Several spinoffs and related. There is a band official website which has been set up recently. It has details of what's going on now and about previous releases, some of which have collector status already. The reforming of the band is likely to revive interest even more, though I don't expect too many Dance remixes!

Why Call it Anything. New CD out July 2nd!

The Chameleons are back! Three of the band have returned to the Suite 16 Studio in Rochdale and the resulting sessions are now released as "STRIP" an acoustic set of ten tracks, with two brand new ones. They give a new slant on the old songs, Less than Human, Nathan's Phase, Here Today, Soul In Isolation, Pleasure and Pain, Paradiso, Caution and On the Beach, plus new tracks, Road to San Remo and Indian. John was not available when the recordings were made, but Shan Hira was. Full circle in effect! CD is PARADISOCD1

Open Letter from Mark Burgess, December 29th, 2001 (Forwarded from Plunko:)

First off I hope everyone reading this had a good Christmas celebration and that the New Year proves to be an ace one. For myself it's been rather a dramatic year, probably 'the' most dramatic year I can ever remember, but overall an extremely positive one, I hope you are able to say the same. I can honestly say that it's been a positive year for the group too. 2001 saw the release of our first album in fifteen years in 'Why Call It Anything'. We are all proud of the work we did, primarily because I think we proved to ourselves that we still have the ability to make great records, songs that are able to retain the timeless quality that's become the band's trademark. How do we know this? Because over the last year we've played the songs night after night and felt them to be as fresh as the day we laid them down. If anything the live performances have improved the songs and enabled them to continue to evolve. It's a shame, in a sense, that we didn't have the opportunity to tour the material before recording the songs for the album, but that has always been the way of it. I know that some people didn't get the album they wanted and I feel slightly sad about that, but only very slightly.

 What little feedback I've had from folk along these lines reflect a mind set that would prefer to see us as we were twenty years ago, rather than as we are today. Well, young children can behave in very charming and endearing ways but were they to behave the same way at the age of 40, as parents we'd be very worried, wouldn't we? To those people I also say this, we will not retard ourselves for you, nor will we be the sad, nostalgic champions of your long, lost summer. If that's what you want then you have those early records, either that or book tickets for The Mission.

 The massive majority of you though have embraced the new record and supported the gigs and to you I say you have our most sincere thanks and appreciation. Who are The Chameleons today? Well as you can hear we are still trying to work that out. If WCIA represents anything then it represents a group of close friends learning how to play and write with each other all over again, utilising all the various influences and diversities we have accumulated during our years apart.

With the addition of a fifth collaborator, Kwasi Asanti, we've touched on textures that we weren't even aware of and had a lot of fun doing it. We've been able to rekindle the belief and confidence that made the band something special and we now intend to forge this into a positive direction. For myself I've always been most attracted by the darker, more intense work, both lyrically and sonically and I know Dave shares this view. Reg continues to conjure up riffs and progressions that are as inspiring as they are original. John has always been the hardest working member of the group and provides as powerful a foundation as ever, all of this in combination with Kwasi's spirited percussive talent, bodes well for a new record, providing we can find the time, space and resources to do the new ideas justice.

 Quite a few people, clued in by certain remarks I made at Wishville toward the end of the year, have questioned whether The Chameleons have a future beyond 2001. While the answer to this question remains open it is looking decidedly better than it was back then. While I can't divulge too much right now, I can tell you that we are chasing some exciting possibilities for the new year, which, should they actually come off, will provide us with fresh challenges, something which is essential to the continued evolution of the band.

 'Why Call It Anything' will finally get a domestic release slated for February 26th on the Cleopatra label. Hopefully this should bring us one step closer to getting the band Stateside next year. Also planned for the New Year is the long promised Chameleons live album, as yet untitled, recorded at the Manchester Academy last summer. The album will feature almost the entire set, I say almost because 'Truth Isn't Truth Anymore' and 'Soul In Isolation have had to be omitted due to a DAT failure on the former and Dave's guitar breaking mid-song on the latter. Shit happens as they say. The rest of the record sounds great though, even if I say so myself. The band's sound engineer John Delph and I mastered the recording about a month ago and we're only awaiting the completion of the artwork. While on the subject I've been asked where the official bootleg, 'Live At The Witchwood', which was being sold at the gigs recently, can be purchased via mail order. You need to contact Pod (pod@arcmusic.freeserve.co.uk).

  In addition to the mystery project mentioned earlier then, we are hoping in the New Year to be able to bring the band to Spain and plan to attempt to find venues in the southern region of France in support. I'm hoping that we'll finally be successful in our attempt to get the band a gig in Dublin and intend to try and get the group onto the bill of next summer's Roskilde festival in Denmark, in which case, if successful we shall also try and find gigs in Sweden and Oslo. Finally, as I mentioned, we're determined somehow to get the group to North America this year, even if it turns out to be an ad-hoc visit to the east coast and would hope that any visit would also include a visit over the Canadian border to Montreal and Toronto.

 I appreciate that these are not easy goals for a band so far out of the mainstream, so any help anyone may be able to offer would be greatly appreciated by all of us.

 Finally, egged on by many in the know, I'm hoping to find the time to finish the autobiographical narrative I've been working on for some time. Should this be of interest to you please let me know as the more feedback I get on this the more motivated I will be to actually get it finished.

 I'll continue to update this page as and when things become definite or when I have any further news relating to the band. Thanks again to all of you for the continued support, be it the constant stream of positive mail encouraging us forward, the warm reception at all of the gigs, even the one or two dodgy shows, or for buying the new record, thus increasing the odds of there being another. I hope you have an ace New Year or at the very least, more 'ups' than 'downs'.

 Namaste

  Mark Burgess

 

Album Tracklisting.

1. Shades
2. Anyone Alive?
3. Indiana
4. Lufthansa
5. Truth Isn't Truth Anymore

6. All Around
7. Dangerous Land
8. Music In The Womb
9. Miracles And Wonders
10. Are You Still There?

For details see the Chameleons website.

The CD is released on Artful Records, distributed through Fulfill/Universal Music Organisation.
For further details check out the releases and lyrics sections.
The CD, and a t-shirt, are available to purchase on line once again through our friends at Townsend Records; see the link in the store section.

The Fan And The Bellows.

Track Listing.

Side One
The fan and the Bellows.
Nostalgia (full)
Less Than Human.

Side Two

Nostalgia (7" vers)
Turn To The Vices
Love Is.
Everyday I'm Crucified.

In Shreds

Prisoners of the Sun. (1983)

Endlessly Falling.

Nathan's Phase.

Tony Fletcher CD

Tracks

Is It Any Wonder

Free For All

The Healer

Denims And Curls

The Sun And Moon Recorded in 1987 to 1989 at Suite 16 in Rochdale and Rockfield in Wales. Released on the Glass Pyramid label at the time in 12", 7" and Album form. Releases are rather harder to find, but worth it. A CD reissue of the album has appeared. It has 16 tracks so has bonus tracks too. The 12" single "Alive Not Dead" was issued in 1988 on the Midnight Music label in France, and it includes the bonus tracks.

The Reegs Kept going after the breakup and have quite a few releases to their name.

Mark Burgess and the Sons of God. Zima Junction was released on Imaginary in1993 as "a collection of demo tracks recorded in preparation for an album that was never to be." If it is demos, the tracks are of a very high standard indeed, and including a crossover track " Facades by Glass in E minor", which works very well. It ends with a rather good version of "You Only Live Twice", the Bond theme. There are 11 tracks in all, and it's well worth looking up. ILLCD 044. Musicians include Bryan Glancy (Beat the Boat), Pete Troughton (drum programming), Keni, guitar, percussion, vocals. Sampled music Philip Glass.

Paradyning. (with Yves Altana)

Invincible Was the most recent venture until the band met up again in the pub and decided to reform. The CD has a Reegs like sound at times, with both keyboard and other effects in evidence. Mark worked with Yves Altana on this issue.

 

This Page PKM 2000 Revision January 5th. 2002